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  • Streaming + Download

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  • Record/Vinyl + Digital Album

    Black vinyl. 140 gr. First press. Single sleeve cover. 2 page insert. All-analog recording /A A A/

    Includes unlimited streaming of STILL NATURE via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Berlin 2021 07:46
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Immanence 03:34

about

One of the brightest Latvian Contemporary / Jazz / Improvised music saxophonist and composer Kārlis Auziņš recorded together with Latvian classical pianist Rihards Plešanovs.

Music for saxophone and prepared piano composed by Kārlis Auziņš. Recorded at the Riga Recording Studio, live direct to analog tape using a Studer B67 1/4” two-track tape recorder without any editing or overdubbing. /A A A/

credits

released May 19, 2023

Kārlis Auziņš - Tenor and Soprano Saxophones
Rihards Plešanovs - Piano and Prepared Piano

All music composed by Kārlis Auziņš,
Recorded on December 16.2021 at Riga Recording Studio, Riga, Latvia.
Recording Engineer: Mārtiņš Krastiņš
Assistant Recording and Tape Engineer: Mareks Ameriks
Tapes prepared for vinyl release by Mārtiņš Krastiņš.
Vinyl lacquers were cut on a Neumann VMS70 cutting lathe using a Neumann SX74 cutting head. Lacquers cut at duophonic by Moritz Illner.
Digital Mastering at HELI media. Mastering Engineer: Mārtiņš Krastiņš
Produced by Mareks Ameriks.
Front Cover Artwork: Andris Eglitis from the cycle of paintings "Reflections", canvas, acrylic, oil. 74x57.5 cm, 2019
Photo: Oskars Upenieks
Sleeve Design: Edgars Ameriks.

This album was recorded live direct to analog tape using a Studer A 80 1/4” two-track tape recorder without any editing or overdubbing.

JRA 018

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Jersika Records Latvia

Jersika Records is an independent jazz and improvised music record label founded by Mareks Ameriks in Riga, Latvia, in 2017. Most of recordings on Jersika Records are made completely analogue – recorded live reel-to-reel to tape and cut directly to lacquer, but even those that went through digital domain are carefully mastered to preserve the warmth of the sound. ... more

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